Top Five Thursday: Busking Pitches
I just finished "The Fiddler in the Subway," a collection of feature stories by Washington Post writer Gene Weingarten. It's one of the best books I've read in years: hilarious, heartbreaking, and human. But the title story -- the Pulitzer Prize-winning one about renowned violinist Joshua Bell performing in a D.C. subway station and the commuters who paid him absolutely no mind -- is the one that moved me the most. It often surprises coworkers or acquaintances to hear that I used to be a busker, singing in streets and subways, but it’s actually a fundamental part of who I am. It’s a role I identify with more than any other – the free-spirited minstrel – and for good reason: street performance is where music, travel, friendliness and generosity all intersect. “They are the ghosts.” I can tell you from experience that Weingarten’s story hit on many truths, both beautiful and discouraging. Nearby merchants understandably care more about your volume than whether ...